video and look back at the impact working with SAW had on Bananaramas career. This podcast is definitely not only for fans of the music of SAW, anyone that enjoys music discussion can enjoy it, and as a bit of a geek I love hearing the behind the scenes industry talk. In an exclusive interview, Kim Appleby reveals all the details behind Mel. His memoir, Pop Stars in My Pantry, is an account of a wide-eyed, wet-behind-the-ears lad from Wiltshire landing in London just as the capital’s club scene went into orbit.
Bananarama venus video behind the scenes tv#
In fact if I ever find myself down under I’d love to go for a drink with them! Author, columnist and TV writer Paul Simper had a front-row seat at one of pop stardom’s most exciting shows: the 1980s. They come across as great guys who bounce off each other perfectly.
What’s great about this podcast is that it ticks so many boxes: it’s interesting, educational, entertaining and funny, but most of all it is clearly made with a lot of love with two hosts that clearly adore the music of SAW (well most of it anyway)! VENUS IN VEGAS The members of British duo Bananarama will discuss their musical journey in a. The format is simple: two SAW fans run through their discography one song at a time. Recently I’ve been enjoying listening to podcasts that discuss things from my childhood, and by luck I happened to discover this one.
Spoiler alert: he says it didn't go very smoothly.įantastic podcast with two incredibly likeable hosts! Bananarama: Venus (Video 1986) photos, including production stills, premiere photos and other event photos, publicity photos, behind-the-scenes, and more. Watching their videos has made it clear to me that if the Raincoats had sold out (well) than they. As well as dissecting that follow-up, we talk to Mike about what it was like working on original material with Bananarama. Actually, though, Bananarama’s version of Venus was the third version of the song to hit 1, since Venus had been one of the songs in Dutch novelty act Stars On 45’s otherwise. Venus Really Saying Something Robert De Niros Waiting. "More Than Physical" didn't hit the same highs as "Venus". But despite a major makeover from the album version. And the trio following up a big hit? Bananarama, of course. Then, we hear from Tight Fit singer Steve Grant about his short-lived boy band, Splash, whose single "Qu'Est-Ce Que C'est" was released by Elton John's label, Rocket The late Jeb Million worked with SAW on two singles - we look at the first of those, "Second Time Around" and chat to Mike Stock about the Canadian singer. Bananarama-Venus (Click here for 2 still clips) Beyonce Knowles - Ring the Alarm (Click here for still clips) Greenlight (Click here for still clips) Jeanette Biedermann - What It's Got to Be (from Germany) Bodyrockers - I like the Way. First up, it's Galaxy frontman Phil Fearon, who reveals that he almost didn't record his UK top 10 remake of "I Can Prove It" and tells us exactly what SAW brought to the track.
The author draws attention to the importance of ‘social realism’ within British choreographed music videos, and points out that the recent work of Matthew Bourne and FKA Twigs overrides the traditional distinction between ‘dance film’ and commercial music dance film.We discuss a trio of new artists working with Stock Aitken Waterman for the first time, as well as a trio who were coming off the back of a massive SAW-produced hit. The article argues that British music videos should not be negatively compared to their bigger budget US counterparts but should instead be appreciated on their own merits – and those merits include the greater creative exchange with ballet and contemporary dance, and the use of techniques from experimental film and narrative film and it argues that these features make dance in British music videos an exciting and critically acclaimed cultural form today. The first section presents an overview of the development of genres of dance and choreography in music videos from the late 1970s to the present day, covering genres such as the loosely-choreographed pop act video, to the formal, tightly-choreographed routines of videos drawing on the Hollywood musical tradition, to the street dance video ushered in following Malcolm McLaren’s breakthrough ‘Buffalo Gals’ video (1983).
This article looks at the work of choreographers in British music video from Arlene Phillips (founder of Hot Gossip), to FKA Twigs and Wayne McGregor.
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